Sunday, May 8, 2011

prezi presentation reflection

I enjoyed working with the electronic space of a prezi. The program is similar to PowerPoint, but more elaborate. Instead of being separate, distinct slides, as in PowerPoint, appearing to the viewer individually in a strict linear sequence, the Prezi is designed on a single, flat design board. We were able to apply various colors and types of text, pictures, and videos as in PowerPoint, but the main difference is the motion the prezi possesses. It doesn’t simply change from one slide to the next, but glides across the plane, smoothly from one point to the next.
 
This transition technique more closely mocks our own natural thought process: more scattered and uncertain, than linear. With a prezi you never quite know where the focus is going to stop. This presentation technique can make the thought process of those presenting visible to the audience. It better constitutes the lines of communication because of its more natural conversational flow, as opposed to a planned out, ordered feel of a PowerPoint. We were able to show how points are related via their proximity and position in relation to each other. We were also able show the paths between thoughts and how they twist and intermingle to ultimately form one solid argument.
 
After viewing our classmates post of our prezi I discovered the prezi to have been very effective.  Many of them had our exact point and argument or our presentation nailed. Because of our success there is little I would change about our project.  One thing I would change would have to be how long we spent on the project.  With the very few days worth of effort we put in to it, it would be amazing what we could do with several more days to explore the application. I look forward to using prezi again in the future, either in the classroom or the real world.

chapter 3 prezi

Observe:
This chapter is on hypertext, clickable text on internet pages.  Hyperlinks are used to transport the reader to a different page on the same topic.  They show relationships between pages and make up the web, connecting layers and layers of pages.
Infer:
The main point of the prezi is that reading in an electronic system is challenging to decipher, and hypertext is one tool used to make that process easier. This argument suggests that hypertexts are beneficial because they are more similar to the way we think. They allow reading to be less linear and more “tree-like” and can easily jump to another page, or tangent, on a specific part of the main page’s information. The point it, though they take practice to know how to navigate with them and can be a bit distracting, they are still a useful tool that will continue to help shape the internet.  This is relevant to our lives today because the internet is an important tool and by learning about various parts of it we will be able to navigate it more easily and get the most out of it that we can. 
Question:
Do hyperlinks give us more or less control over our browsing? Why?
How do hyperlinks help with the organization of the internet?
Is it possible for all text online to be hypertext in the future?

chapter 4 prezi

Observe:
This chapter is on the breakout of the visual and how images are taking over our world.  We see visuals more than text and even hyper-visuals more than hypertext.  This is especially obvious is how little text is in advertising compared to visuals.  Though text is not completely absent yet, there is debate over if it will be one day. There are already more electronic magazines than books, and even newspapers are getting a look more image based and similar to a webpage.
Infer:
The main point of the prezi is that in this day and age we see visual images way more than text.  This argument suggests that the world is changing from a place of text to a place of images. They allow reading to be less linear and more “tree-like” and can easily jump to another page, or tangent, on a specific part of the main page’s information. The point is, that soon visuals will take over text, at least when it comes to sending messages like email.  This is relevant to our lives today because we are living in a media age and need to be aware.  We need to know for future job hunting and even relationships what to use to connect with people better: the visual.
Question:
Why do you think visuals apply more to and connect better with people today?
How do advertisers play on our love of the visual?
With the visual so prevalent, why do most educators still insist on pushing text as the primary form of communication and assignments?

chapter 6 prezi

Observe:
This chapter is on the refashioning of dialogs and the difference between oral communication and textual communication.  It is also on how the spoken word is tied into text and how they both continue to develop and change.  The spoken word is directly related to text and both have contributed to the change from the early use of papyrus to today’s eBook.
Infer:
The main point of the prezi is studying the connection between textual communication and oral communication.  Their argument suggests that the spoken word and the written word both have positives and negatives, and both have changed over time. Plato used written word and had a harder time portraying his message because he couldn’t debate or defend his claim directly.  However, Socrates used spoken word and had a harder time keeping his message consistent as it was passed on by word of mouth person to person. The point is that both methods are connected and have changed the way we read, think, and create books.  This is relevant to our lives today because it is important to understand that different people communicate better in different ways.  This needs to be taken under consideration as we develop technology in the future, either to be used to communicate for the classroom or for one’s own social desires.
Question:
How is dialog a hybrid of both oral communication and written communication?
Why did David Bolter find dissatisfaction with linear arguments in Writing Space?
Why is it easier to “hoodwink” a listener rather than a reader?

Paper 4 [the end]

It’s just like Mrs. Jappel said in the first grade; “Samantha, treat others as you would like to be treated.” So I do. I write for a mirror. Every word, phrase, or sentence I think “what would I think if someone wrote this for me?” In a way this is similar to the “making it strange” editing technique we used in class to find information not described with enough detail.  I love and care for my reader, carefully stringing them along, taking care not to lose them along the way. I respect my reader, being careful not to bother them with pointless tangents or waste their time with misinformation. I attempt to connect with my reader, become something special to them and make them think I am writing for him or her personally.  I want my reader to feel the emotions I’m feeling, share my opinions I care about, and learn the information I’m teaching.  I want to consume the reader, make them me like that face looking back at me in the mirror.
            It is because I write for myself that while I care for the reader, I do not need them.  I would be perfectly content writing for myself, face looking back at me in the mirror.  Aside from pointless papers of pesky professors, in which no meaning is meant and no feelings are felt, writing is an art. Art should always be done for the self, not to please an audience.  Billy Collins writes about his nagging need for the reader in “Flight of the Reader.” He speaks of the reader as a “wild parrot digging [his or her] claws into my loud shirt.” He claims not to need the reader and denies having a “crush” on them, but finishes his poem implying these denials to be false.  I could never need the reader like Collins or I’d write in constant fear of disappointment. If I aim for people of the world to like me, I would over think every phrase, sentence or word.  It would lose the enjoyable feel of art to me.
            However, recently, more often than not, I’ve only written because I have to.  Most if not all of my writing is mundane, mandatory, academic writing.  I used to write for me, in a diary. Every nights I would splatter its pages with the days thoughts and feelings, maybe a poem or two.  I loved that diary and how it lifted the weight off my shoulders and onto its pages.  But as papers became longer and more frequent, I soon had less and less time to write for me.  Our dates turned from daily to weekly to monthly as slowly it became just another chore and obligation.  Writing classes and their old age style and format that have you writing about other people ideas instead of exploring your own had slowly sucked the love out of writing for me.  Until this class.
This class is much different than any writing classes that I have had in a very long time.  This was mainly because of how technology based the class was.  It encouraged us to venture out of the five paragraph, MLA formatted essays and into the world of blogs, prezis, and videos.  This allowed us to think more creatively and explore our own ideas in a different way.  This class also encouraged me to write more personally again.  We did more of exploring and explaining our own ideas instead of only writing about other people’s. We were given the opportunity to write more creatively and freeform, and even use “I” and other pronouns.  Over all, the class was fun and refreshing.  No one was afraid to make jokes or temporarily venture off topic and we still learned a great deal.
However, would I consider myself a writer again? Well, it depends on what you mean by “writer”.  Yes, I write assignments for class; I write my name on the top of the paper; I am even writing right now.  But I still would not consider myself a writer like Jacques Derrida.  I do not create images well on paper. I do not trick, tempt or move many people with what I have to say.  I do not wait anxiously for the opportunity to put the words tangled in my head onto paper. I am still a speaker, artist, or singer before I’m a writer.  But I am closer.  Writing assignments like this are much less painful and I struggle less to come up with the words to describe what is dancing around in my head.  So who knows, maybe one day I will be a writer, with the same passion as Derrida and the same fear of uprooting the balance of the world with my words.
Therefore, I would like to end this paper with a letter to those that will be just starting out:
Dear new students of WSC002 with Professor Lay,
            Good luck. I don’t mean that to be nearly as intimidating as it sounds. Do be warned though; This class is like a roller coaster ride. It is probably unlike any college class, especially writing, that you have taken so far. It is wild; shooting up and down and most of the time speeding out of control as you attempt to hang on.  Don’t be afraid though, because it is a blast.  Don’t get frazzled or intimidated by Professor Lay’s wild and highly amusing antics, throwing you still half confused into assignments.  It teaches you to jump into things you don’t always understand and work it out from the inside.  Don’t be alarmed by any random Rebecca Black lyrics, or if the writing proficiency exam gets compared to a rock and a lemon because that is probably not even in the top five weirdest things that will happen in class this semester. However, I do promise you this: You’ll be better by the end. Better at reading, understanding, problem solving, expressing, writing, and laughing.
            So, even though you won’t need it, good luck.
                                                                              Sincerely,
Sammy

Friday, April 29, 2011

paper 3 [a new page]

It is no question that writing has changed over the years, but what we should be asking ourselves is “why?”  One thing important concept to consider is materiality, or the effect the materials used to write have on the writing itself. As the materials humans have access to change, so does the writing. As writing and its materials have changed, so have the products of literature: the library, the encyclopedia, and even the book itself.
Materiality has had a drastic effect on the content of a work in various ways, often due to the sheer difficulty of the material to use. For example, in our class we did an assignment all in crayon as opposed to a computer like we usually do.  Many students found this assignment difficult because the crayon was physically taxing and more difficult to use, especially compared to the simplicity of typing on a computer.  This difficulty led most of the assignments done by the class to be shorter than if it were to be done on a computer.  It also gave a more informal feel to the assignment, causing many students to use a more simplistic language and some even went as far as to incorporated pictures.  This is similar to the blogs we have been using. The style of writing for a blog is different than writing a formal paper.  Blogs have a more informal feel as well, thus allowing more room for expression and allowing grammar, punctuation, and spelling rules to take a back seat to personality and creativity. They also encourage the use of pictures and video. The use of a technology, such as a computer, for writing has not always been around.  As the materials available for writing changed throughout the years, so did the content, style and focus of the writing itself.
Writing was first done on a papyrus roll, giving a piece of writing a continuous flow with little to no closure.  At this time, because a majority of the population was not educated and did not have access to such scrolls, they were more commonly used as a script for storytellers to read their content aloud.   Centuries later, the papyrus roll was replaced by the codex, more similar to what we picture a book to be today.  This was a bound form with pages, being less continuous than the scroll because of its limited length.  As David Bolter points out in Writing Space, “A whole work could be contained in a single codex,” because it allowed for more room and was considered a more complete verbal structure (77).  With the codex, silent reading and study became more popular as the codex allowed a wider access to writing and whose form was generally better received and considered more convenient.   In the Middle Ages, illuminated manuscripts came into play and were considered by some to be “multimedia writing at its finest” (Bolter 78). They were still considered a codex, but were hand-decorated with beautiful pictures and fancy fonts and designs.  This remained the only successful multimedia writing expression until technology became a usable material. 
The creation of technology as a writing material has had a great effect on the writing of today. The internet has increased the accessibility of writing; today, anyone with a computer can be both a reader and a writer. The Internet acts as a gateway to the rest of the world, making it easy for anyone to digitally publish a work a via website or blog to share information or their personal thoughts and opinions with anyone in the world. Because there is no longer any standards in being a writer, the general quality of what is available to be read has decreased dramatically.  Both the papyrus roll and codex were of difficult materials to come by, therefore, every piece of early writing had an important purpose as to why it needed to be shared.  However, today, because it is so easy to publish writing, not only has the quality of writing go down, but the reliability of the information accessible as well.
The eBook was created to mimic the physical presence of a codex and have the exclusivity of a printed book, but with the benefits of technology.  It restores the reliability and quality of literature in technology.  The eBook provides similar look and feel of a book because of its size, shape and the maintained linear act of turning pages. However, its ability to be updated electronically returns it slightly to the age of the papyrus roll in diminishing its sense of closure.  The eBook has many benefits. Downloaded books are significantly cheaper than physical books and there are thousands of downloaded books available for free through the library and online.  They also have the practically unlimited selection of ordering online, instead of the limited selection of what is in stock at a book store, but instant access to the book instead of waiting for an ordered delivery. They are easy to carry because they are lighter than the average paperback, and can carry millions of books at once.  With an eBook, anyone, especially a student, can annotate a book without causing permanent damage. EBooks are also better for the environment because they require no physical materials to create and cannot be damaged by the weather like a book that is biodegradable and can be eaten away by worms.  Because of these benefits, eBook users are increasing in number and eBooks are even being used in schools as a tool for students and teachers alike. As technological materials have developed and merged with the writing world, they have changed the accessibility, format and content of the book.
The desire to make one “great book” that encompasses all knowledge, known as the encyclopedia, dates back to ancient Greek and Roman times.  This is in part mostly to what Bolter said; “The encyclopedia offers a solution for both conditions for surplus and scarcity” (84).  In times when books were hard to find, an encyclopedia allowed people to gain the information of many books using only one.  When books were abundant, the encyclopedia acted to inform the people of what was most important and reliable to keep the public from becoming overwhelmed.  However, as books multiplied and became too abundant and the general knowledge of the people increased, the goal of maintaining an encyclopedia became harder to achieve.  Trying to solve this problem, Britannica turned to a different material and became the first successful digital encyclopedia (Bolter 85).  This allowed the creators more room for information and more immediate access to the information searched.  With this, the encyclopedia’s type of organization, both digitally and physically, shifted from that of association within elaborate “hierarchies of topic” to alphabetization (84).  This allowed speedier access to information, but it no longer characterized relationships between topics.  With this alphabetization came the index, showing on which page information on a selected topic can be found.  This finalized the nonlinear fashion of the encyclopedia, making it one of the first and only books made to be read out of order.  As technology takes over the world of books, it also changes the encyclopedia and how people find information.
When early societies began struggling with encyclopedias, many turned to libraries as their source of information. Like an encyclopedia, libraries attempted to contain the knowledge of the world.  However, libraries did not bother to abridge literature to fit in a single book but acted as a building to house all books.  This allowed visitors access to a wide variety of texts first hand to be used for both leisure and study. Within the library, books are sorted by genre and alphabetized within each category.  Today, with the World Wide Web at our fingertips, it is as if we have complete access to both an encyclopedia and library all in one.  We no longer need a building when all literature can be found online.  Unlike physical books in libraries, digital books can be stored on different electronic shelves under different categories and they can be accessed instantly with the push of a button (Bolter 87).  Search engines, or websites that allow you to search the internet for pages containing called for information, and hyperlinks, clickable text that takes you to another page containing information similar to that of the text, developed as navigational tools of the internet. As an encyclopedia should, the World Wide Web contains nearly all of the information in the world and can be maneuvered via search engines and hyperlinks that act as the index. By typing a key word or phrase into a search engine or clicking on a hyperlink, you instantly receive wanted information on that topic in the blink of an eye. 
Writing has changed in many ways over time.  From being spoken aloud, to read silently; written on a scroll, or typed on a computer; writing has become something brand new.  Materiality has always been a factor, affecting the quality and content of a work.  As our culture and the materials we have access to continue to change, so will our writing.  In the long run, all we need to do as a culture is keep writing because after all we “are writing both in and on the world” (Bolter 97).  As writing and its materials continue to change, so will its products: the library, the encyclopedia, and even the book itself.  

Sunday, April 3, 2011

crayons again!

I was given another student's crayon assignment to interpret and reflect upon. The assignment I was given was written on horizontally on the page, in a landscape fashion.  Everything on the assignment is written in crayon. It is broken up into three paragraphs and each paragraph is written in a different color. Only the first paragraph is indented.  The first paragraph is purple, the second grey, and the third a very light green. These colors proceed in order of increasing in lightness and therefore decreasing in clarity.  Besides the actual color of the text, there is no other sense of decoration.  The writer attempted to keep straight margins, but certain words are sticking out as if struggling to fit in. There is a top margin and a left hand margin, but no margin on the bottom or right. It is as if the whole assignment is shifted down and to the right.  The word spacing is relatively consistent until the end where the writer must have ran out of room because the word spacing decreased and the words became crammed together. The lines of words are kept straight, but like the word spacing, the spaces between the lines decrease and become significantly more cramped.  There are no full words or phrases crossed out, but some individual letters within a word are written over as if to correct a spelling problem or to change word after already starting to write.  The last word of the entire assignment, “times”, is written over in purple like first paragraph. It doesn’t seem to tie in with the first paragraph, so it was probably just to make sure it was legible as the color got lighter and the words became more cramped. The punctuation and capitalization is proper throughout, despite the informal feel of writing with crayon.
There are many interesting features of the crayon assignment. While preparing the assignment with crayon, it felt significantly different than it would have completing the assignment with more familiar medians.  After completing the assignment as well as this analysis, it became clear to me the effect the writing implement has on the writing.  Each means of writing leads the writer to think and create in a whole new way.  This assignment lead us to consider how technologies take part in the way we communicate. The crayon made it seem more casual so I felt as if I had to write less and in a more juvenile fashion.  On the other hand, it was more liberating and I felt more creative writing with crayon. I found I had a similar feeling using other more artistic means of communicating, such as the four letter word visual argument.
Bolter said, in his text Writing Space, “With any technique of writing – on stone or clay, papyrus or paper, and on the computer screen – the writer may come to regard the mind as a writing space” (13). I agree with Bolter that the mind is considered a writing space.  Anywhere thoughts can be created and developed upon is a writing space, even if literal words are not used.  The writer has three writing spaces to deal with; the space in their own mind, the physical space on which they are creating, and the space in their audience’s mind. In my opinion, it is most difficult to get writing from the space in your own mind into the physical.  The mind is limitless, but when you physically create your writing you are bond by the limitations of the material.  This writer of the crayon assignment was bound by the size and shape of the paper the assignment required. No matter how much the writer had in her mind, there was only so much she could fit on the paper. She was also limited by the use of crayon because of how physically tolling it was to use.
The writer did a decent job facilitating the interaction between the physical writing space and that of the reader’s mind.  Though she did not use her material to connect and further express what she was writing, she did not allow it to restrain her either.  She responded fully to the given question and used proper punctuation, capitalization, and spelling throughout the whole assignment.  She kept her writing clear and concise. She interacted with the space of the viewer’s mind successfully with her words, not the visual of the crayon, by interacting well with the physical space and using it to the best of her ability. This expression was successful because of the obvious fact that I was able to understand and appreciate her response. Though she may not have used the material to its full capacity, she still accomplished her goal of communicating with the reader.

Thursday, March 31, 2011

that's what she said: a response to professor's prezi


I enjoyed viewing the electronic space of a prezi and am looking forward to creating one of my own. The program appears to be similar to PowerPoint, but more elaborate. Instead of being separate, distinct slides, as in PowerPoint, appearing to the viewer individually in a strict linear sequence, the Prezi is designed on a single, flat design board. The user can apply various colors and types of text, pictures, and videos as in PowerPoint, but the main difference is the motion the prezi possesses. It doesn’t simply change from one slide to the next, but glides across the plane, smoothly from one point to the next. This transition technique more closely mocks our own natural thought process: more scattered and uncertain, than linear. With PowerPoint the viewer knows where we are going next; to the next slide, but with a prezi you never quite know where the focus is going to stop. This presentation technique can make the thought process of those presenting visible to the audience. It better constitutes the lines of communication because of its more natural conversational flow, as opposed to a planned out, ordered feel of a PowerPoint. You literally flow along with the speaker, following from one thought to the next, and flying by small side statements to later return to.  It can show how points are related via their proximity and position in relation to each other. It can also show the paths between thoughts and how they twist and intermingle to ultimately form one solid argument.

Wednesday, March 30, 2011

writing without looking [storyteller]

Everyone in my familyis a story teller, but the best story teller of all is my grandma, Mam. She’ll even tell stories to people standing in front of her on the grocery store line, as well as me and my sisters. I lve her stories because she is always so animated when telling them and you can feel her e passion through her words. My favorite and most inspirational story of hers is about one of her first jobs. In the 70’s, it was not common for a woman ot be in the electronic or mathematical field. My grandma though chose to be a computer technitician as well and a mathematical computer teacher at a college. Beingg the only woman at her job, she faced much discrimination.One day, her boss called her into his office and asked her on a date. She politely declined and in a whirlwind of fury of being rejected, he fired her. She refused to give in and simply walked proudly out of his office head helfd high as her coworkers jeered at her. A few days later she went on to get an even better job and with bosses that actually appreciated her. Stories like these have taught me to stay strong and stick up for yourself.  It also taught me to maintain hope and not get down on yourself when you feel as if life has rejected you. She always tells me Everything happens for a reason, and when one door closes another always opens. My grandma continues to show me this through examples from her life everyday. I can only hope to be as strong and amazing as she is. She is my true inspiration.

Thursday, March 24, 2011

my thoughts on sample u

Sample U is broken up into two parts. Though I agree with the first part that predictable images are helpful in leading the audience to understand an argument quicker, I disagree with the second part. I recognize that the order of how images in a visual presentation are presented is important, but I do not agree that their order is more important than that of a textual argument. Taking the example images in the writer of this sample's first part ("wedding picture, the soldier kneeling and shooting, the video of [the] little girl saluting at the funeral procession..."); these images all make the same argument and without order they still make sense and support the central claim. However, with textual arguments, by changing the order of sentences, and especially by rearranging words within in a sentence, the reader has a good chance completely befuddling the reader.

Tuesday, March 15, 2011

How does the form of the poem affect your apprehension and appreciation for it?

The poem "Like you know", by Taylor Mali is creative, entertaining, and well-written. It is also clever and with enough truth behind it to actually make the listener think. It was one of my favorite assigned "readings" so far of the semester. I enjoyed and followed the video of him performing the poem more than the textual representation. I found the text in the other video distracting, intimidating and it made me more apprehensive when first viewing it because of how rapidly it changed and rearranged. I also felt Mali's facial expressions and body language in the video of him reading the poem added to the humor and satirical nature of the piece.

Tuesday, March 8, 2011

oops, changed my mind...

The poem The Problem of Describing Trees begins with the speaker attempting to describe trees. He simply classifies tree's appearances  and movement with adjectives like "glitters" and "flutters". However, early in the poem the speaker begins to get confused and unsure of how to describe trees. He contradicts and second-guesses himself. When he first says "No." is when the poem really turns from talking about the certainty to the uncertainty. By the last line "Aspens doing something in the wind", Hass has completely given up his attempt to put trees into words.

Monday, February 28, 2011

pain of writing images

  • heart being stabbed
he feels as if he might die. the pressure is almost unbearable from the start. the heart beats though, showing how through the pain, the thought of writing is actually what fuels him. This feeling can be related to any time you have that nervous feeling, tightness in your chest.
  • cigg butts scattered amongst type writer keys
shows how long it feels he has been looking at his key board. every snuffed cigg another snuffed idea. the blend of his pain and stress with the keys on his typewriter.
  • man looking in distorted mirror
at the end the pressure starts to become too much. he begins to feel worthless and unaware of his true identity. his reflections changes to things like clowns (hes a joke) and babies (hes not ready or matured)

a sentence starts out like... [freewrite...]

... a enormous brick wall. seeming impossible to
conquor. you look up at the top
knowing that you will never stand
high on top and look down
on the scattered verbs and pronouns.
but slowly you chip away at this wall.
thought by thought.
word by word.
syllable by syllable.
until it trembles
shakes.
and gives out. falling to a small pile
born a sentence

tele[phone?] freewrite...

Even though the said purpose for telephones is to allow people to speak to eachother from afar, it has becoming increasingly popular to textmessage someone instead. This shift from speaking to writing can be seen as both a good and bad thing. Is this just society reverting back to its more classic days of letter writing or is it just one more step of our society slowly becoming more and more impersonal and disconnected? One of the apparent benefits of textmessaging is that you can carry on a conversation while proceeding with our day to day activities. Once again our society's need to be constantly moving and progressing harms something as simple as taking the time to talk to one another. talk, not text. Text messaging also allows people to withhold their true emotions. You can take advantage of the lack of true personality expressed via text message. say you're happy when you are actually upset. say you're one place, while you are actally somewhere else. be faker than the hard plactic of the cellphone itself.

sample h: the good and the bad

good:
  1. informative
  2. extensive vocabulary
  3. descriptive
bad:
  1. doesn't focus on the large subject
  2. too many facts given at a time
  3. impersonal

sample g: the good and the bad

Good:
  1. Written at a high level but not too complicated
  2. Good vocabulary
  3. Personal and almost conversational
Bad:
  1. Few minor spelling and grammar issues
  2. ...thats really it

answers for billy

Alexander's question #3

I believe Colins turns the focus of the poem to himself to mock how some poets end up talking more about themselves than their subject. In this poem supposedly about love, it is ironic to have a majority of the poem about the speaker instead of his lover.

DOC's question #2

He makes the poem purposely rediculouc to prove a point. Throuh his exagerations, Colins allowed the reader to see the flaws of the writing style.

Stephan's question #4

I don't think that this is Colins lashing out at love itself. I believe it is quite the opposite. If he didn't care about love and how it was represented, he would have taken the time to rewrite this rediculous poem to prove his point. Love clearly means a lot to Colins.

Friday, February 18, 2011

freewrite...

Today it is 48 degrees and beautiful, but I sure didn’t feel beautiful. As I walked to class I had to fight hard to put one foot in front of the other. Head down, last night’s make smeared across my face, I trudged to class. Once in class I tried to busy myself with the mundane assignments, but my mind would eventually drift off. No way had that really happened. What did I do wrong? How can I fix it? I stared out the window hearing his words over and over again, racing through my mind. “I just can’t be in this anymore. I just can’t be with you anymore.” I traced my finger along the scratches in my hard wooden desk, heart in my head.

Wednesday, February 16, 2011

questions for billy

  1. What point were you proving in turning the focus of the poem to the speaker himself?
  2. Why did you choose this poem to rewrite?
  3. Do you always read poems critically; if so why?
  4. Do you have such little faith in those metaphors individually, or just the way they were used together?
  5. What do you believe to be the most important quality for a poem to have?
  6. Do you enjoy using metaphors in your own writing; if so why and what purpose do they serve?

my way or the highway

My ideal way to communicate my ideas for this paper, or any paper for that matter, is via speech. I consider myself a relatively strong public speaker. Thanks to my years of acting in various plays and performances, I have pretty much lost any fear of making a fool out of myself in front of a group of people. I feel like speeches connect with the audience better than making them read an essay. I would also like to have a PowerPoint presentation to work with so I could hopefully connect with both audio and visual learners.  I work with PowerPoint presentations often at work and have found them to be quite helpful at holding an audiences attention.  Besides being more effective, I would also rather this method because I believe I would find it easier to prepare. I am not a strong writer in a formal "paper" format. It actually makes me nervous as I struggle to find the perfect words to express my thoughts. I also have trouble getting started on papers and finding the motivation to make it through them by their deadlines. Just talking, on the other hand, is significantly easier for me. And making PowerPoint presentations has always just been fun for me. Playing with colors, fonts, and special effects make it more creative and artistic which appeals to me more personally.

Friday, February 11, 2011

journey to the land of the long white cloud

The writer of Flight of the Kuaka, Don Stap, writes this scientific reflection as a present tense narrative. This leads to the writing feeling more story-like and less boringly educational. Even the title, Flight of the Kuaka, sounds like the title of an interesting story or legend, not a scientific article. The first paragraph sets the scene perfectly, giving the articl more of an adventure novel feel. It is incredibly visual, even a little comical, and serves as a great hook to pull the reader in. The story does become more informative as it continues on, giving more and more information about the birds and the danger they're in,but by that time, the reader is already sucked in.  


Stap has a very similar writing style to that of the article, DON'T, we studied last class. Both authors use qotations and  personal introductions for their characters. Stap presents a great visual when he introduces the character, Gill, by saying "In his early 60s, with close-cropped white hair," and "Gill's voice rises with enthusiam." He even introduced the birds with great visual description. Its easy to picture these amazing birds after being told they're "large, long-legged, cinamon-breasted sandpipers with upturned bills." This writing technique throws the reader right into the story to practically experience what the writer is going through.

Thursday, February 10, 2011

What kind of reader are you?

2.  Go through the text deliberately and highlight every instance of dialogue.  What do you theorize its role in Lehrer’s argument?

This technique of using abundant dialog allows you see the “characters” as people rather than subjects. It also allows the reader to better understand such "characters" and not only how they interact with eachother, but the world around them. Reading dialog puts you in the writer's shoes and allows you to "walk" through the speakers experiences.

“These tasks have been studied so many times that we pretty much know where to look and what we’re going to find,” Jonides says
“These are powerful instincts telling us to reach for the marshmallow or press the space bar,” Jonides says. “The only way to defeat them is to avoid them, and that means paying attention to something else. We call that will power, but it’s got nothing to do with the will.”
“We’re incredibly complicated creatures,” Shoda says. “Even the simplest aspects of personality are driven by dozens and dozens of different genes.”
“They turned my kitchen into a lab,” Carolyn told me. “They set up a little tent where they tested my oldest daughter on the delay task with some cookies. I remember thinking, I really hope she can wait.”
“I’m not interested in looking at the brain just so we can use a fancy machine,” he says. “The real question is what can we do with this fMRI data that we couldn’t do before?” Mischel
“This is the group I’m most interested in,” he says. “They have substantially improved their lives.”
Mischel “For the most part, it was an incredibly frustrating experience,” she says. “I gradually became convinced that trying to teach a teen-ager algebra when they don’t have self-control is a pretty futile exercise.” Duckworth “intelligence is really important, but it’s still not as important as self-control.”
“The core feature of the KIPP approach is that character matters for success,” Levin says. “Educators like to talk about character skills when kids are in kindergarten—we send young kids home with a report card about ‘working well with others’ or ‘not talking out of turn.’ But then, just when these skills start to matter, we stop trying to improve them. We just throw up our hands and complain.”
“When you do these large-scale educational studies, there are ninety-nine uninteresting reasons the study could fail,” Duckworth says. “Maybe a teacher doesn’t show the video, or maybe there’s a field trip on the day of the testing. This is what keeps me up at night.”
“This is where your parents are important,” Mischel says. “Have they established rituals that force you to delay on a daily basis? Do they encourage you to wait? And do they make waiting worthwhile?”
“We should give marshmallows to every kindergartner,” he says. “We should say, ‘You see this marshmallow? You don’t have to eat it. You can wait. Here’s how.’ ” 
“It went against the way we’d been thinking about personality since the four humors and the ancient Greeks,” he says.
 “I’ve always believed there are consistencies in a person that can be looked at,” he says. “We just have to look in the right way.
 “Young kids are pure id,” Mischel says. “They start off unable to wait for anything—whatever they want they need. But then, as I watched my own kids, I marveled at how they gradually learned how to delay and how that made so many other things possible.”
 “We recently tried to do a version of it, and the kids were very excited about having food in the game room,” she says. “There are so many allergies and peculiar diets today that we don’t do many things with food.”
 “When you’re investigating will power in a four-year-old, little things make a big difference,” he says. “How big should the marshmallows be? What kind of cookies work best?”
 “I knew we’d designed it well when a few kids wanted to quit as soon as we explained the conditions to them,” he says. “They knew this was going to be very difficult.”
 “If you’re thinking about the marshmallow and how delicious it is, then you’re going to eat it,” Mischel says. “The key is to avoid thinking about it in the first place.
 “What’s interesting about four-year-olds is that they’re just figuring out the rules of thinking,” Mischel says. “The kids who couldn’t delay would often have the rules backwards. They would think that the best way to resist the marshmallow is to stare right at it, to keep a close eye on the goal. But that’s a terrible idea. If you do that, you’re going to ring the bell before I leave the room.”
 “If you can deal with hot emotions, then you can study for the S.A.T. instead of watching television,” Mischel says. “And you can save more money for retirement. It’s not just about marshmallows.”
 “In general, trying to separate nature and nurture makes about as much sense as trying to separate personality and situation,” he says. “The two influences are completely interrelated.”
“When you grow up poor, you might not practice delay as much,” he says. “And if you don’t practice then you’ll never figure out how to distract yourself. You won’t develop the best delay strategies, and those strategies won’t become second nature.”
 “All I’ve done is given them some tips from their mental user manual,” Mischel says. “Once you realize that will power is just a matter of learning how to control your attention and thoughts, you can really begin to increase it.”
 “We can’t give these people marshmallows,” Berman says. “They know they’re part of a long-term study that looks at delay of gratification, so if you give them an obvious delay task they’ll do their best to resist. You’ll get a bunch of people who refuse to touch their marshmallow.
"A few kids ate the marshmallow right away,"
"They didn't even bother ringing the bell. Other kids would stare directly at the marshmallow and then ring the bell thirty seconds later."
"There are only so many things you can do with kids trying not to eat marshmallows."
"It was really just idle dinnertime conversation," he says. "I'd ask them, 'How's Jane? How's Eric? How are they doing in school?'"
"That's when I realized I had to do this seriously,"
"Sure, I wish I had been a more patient person," Craig says. "Looking back, there are definitely moments when it would have helped me make better career choices and stuff."
"There's often a gap between what people are willing to tell you and how they behave in the real world,"
"What we're really measuring with the marshmallows isn't will power or self-control," Mischel says. "It's much more important than that. This task forces kids to find a way to make the situation work for them. They want the second marshmallow, but how can they get it? We can't control the world, but we can control how we think about it."
"If you want to know why some kids can wait and others can't, then you've got to think like they think," Mischel says.
"At the time, it seemed like a mental X-ray machine," he says. You could solve a person by showing them a picture."
"The East Indians would describe the Africans as impulsive hedonists, who were always living for the moment and never thought about the future," he says. "The Africans, meanwhile, would say that the East Indians didn't know how to live and would stuff money in their mattress and never enjoy themselves."

3.  Note every introduction and/or biographical background for the “characters” in Lehrer’s text.  How do these function in the text? 

The introductions make it more readable because it makes it more story-like than informative. This leads to a deeper connection with and understanding of the text.

The behavioral and genetic aspects of the project are overseen by Yuichi Shoda, a professor of psychology at the University of Washington, who was one of Mischel’s graduate students. He’s been following these “marshmallow subjects” for more than thirty years: he knows everything about them from their academic records and their social graces to their ability to deal with frustration and stress.
Angela Lee Duckworth, an assistant professor of psychology at the University of Pennsylvania, is leading the program. She first grew interested in the subject after working as a high-school math teacher. “For the most part, it was an incredibly frustrating experience,” she says. “I gradually became convinced that trying to teach a teen-ager algebra when they don’t have self-control is a pretty futile exercise.” And so, at the age of thirty-two, Duckworth decided to become a psychologist.
Last year, Duckworth and Mischel were approached by David Levin, the co-founder of KIPP, an organization of sixty-six public charter schools across the country
Weisz, a four-year-old with long brown hair
child, a boy with neatly parted hair, looks carefully around the room to make sure that nobody can see him
Walter Mischel, the Stanford professor of psychology in charge of the experiment, remembers
After publishing a few papers on the Bing studies in the early seventies, Mischel moved on to other areas of personality research.
But occasionally Mischel would ask his three daughters, all of whom attended the Bing, about their friends from nursery school
Starting in 1981, Mischel sent out a questionnaire to all the reachable parents, teachers, and academic advisers of the six hundred and fifty-three subjects who had participated in the marshmallow task, who were by then in high school.
And so, last year, Mischel, who is now a professor at Columbia,
The family settled in Brooklyn, where Mischel’s parents opened up a five-and-dime. Mischel attended New York University, studying poetry under Delmore Schwartz and Allen Tate, and taking studio-art classes with Philip Guston
Marc Berman, a lanky graduate student with an easy grin, speaks about his research with the infectious enthusiasm of a freshman taking his first philosophy class. Berman works in the lab of John Jonides, a psychologist and neuroscientist at the University of Michigan, who is in charge of the brain-scanning experiments on the original Bing subjects



 For more information see:

Tuesday, February 8, 2011

to be continued...

Consistent traits in a person take a certain amount of time and diligence to find. “I’ve always believed there are consistencies in a person that can be looked at… We just have to look in the right way.” Mischel proposes children who could delay their wants and show self control would also be able to do this as an adult. This consistency was shown in the children who didn’t immediately eat the marshmallow. Mischel’s research looks at these consistencies in the “right way.” He compares the children’s self control to that of when they are adults and studies the patterns of behavior. If they did not eat the first marshmallow in order to get the second one, then as adults, they tended to be overall more successful in life. Other consistencies can be picked up through a study like this as well. For example, someone who has always enjoyed being hyper might be attracted to a product on the market known as Red Bull due to the jolts of energy it advertises supplying.

strawberries with a side of cyclamate please

You can walk into any restaurant and see them amongst the array of ketchup packets and salt shakers. That little dish with the rainbow assortment of various sugar substitutes can be found almost anywhere as the commercial below advertises. As early as the 19th century, these less than sweet powders have been luring people with false promises of a healthier way to satisfy those sugar cravings. 

The increasing popularity of sugar substitutes is a clear reflection on the priorities of today’s society. Most of us cling to the desire to become what the media portrays as beautiful: thin.  People will go out of their way to purchase pricy items that promise its consumption will lead to a dramatic weight loss, or even skip meals altogether, in attempt to drop their weight to a “glowing” 78 pounds matching their favorite celebrity of the week. News flash: Sugar is supposed to be sweet and indulging, and believe it or not, you are allowed to indulge from time to time!

This chemically goodness is a perfect symbol for society today. America has become obsessed with being as fake as those sugar substitutes. Let’s start off with our beloved politicians shall we? Most of them are just as bad as the creators of the commercials, one trying to sell us just as much b.s. as the next. And all of us are fake from time to time. Whether it’s sucking up to our boss, or trying to make our new girlfriend’s parents like us, we all at one time or another try and act just a little more sweet than we actually are.

As long as we keep consuming these lovely little packets of false hopes of social acceptance, we can’t even blame producers for continuing to produce them. We have made it quite clear we no longer want those sweets baked with love from grandma’s house. We are perfectly content giving up the childhood memories baked in with the flour, water, and, most of all, sugar.

Tuesday, February 1, 2011

bologna

After watching the Pantene commercial, many students were irritated, or even enraged. One of the main reasons for these reactions is the bait and switch the creators use. They lead the viewer to develop a connection with the main character and then, at the last minute, redirect that connection with the character to a connection with the product.  The connection built with this young and deaf female character is due mainly to the sympathy the viewer feels for her.   She appears to be constantly bullied for attempting to pursue a seemingly impossible dream.  The scenes with shots of her crying or of her standing helplessly by her severely injured mentor's bedside can't help but stir up feelings of compassion for the girl. 

Just when the viewer finds his or her self grinning with happiness as this character he or she has grown to adore achieves their impossible goal, the attention of the commercial shifts as the words “You can shine” appear on the screen.  After this emotional rollercoaster of a commercial, the only message the creator wants the consumer to get is to buy their product. They bait you with this pitiable deaf girl and make you think they are just urging you to achieve your goals. Then, they basically say, “nahhh… just kidding. You probably can’t achieve your dreams like this girl, but you can have nice hair like her.”

This is the switch that tends to make the viewer so angry.   He or she developed not only compassion for the girl, but confidence in his or her self.  And just as quickly as that feeling came, it was ripped from the viewer with those simple words, “You can shine.”

Friday, January 28, 2011

my first post would be on crayons...

While preparing the assignment with crayon, it felt significantly different than it would have completing the assignment with more familiar medians.  The crayon made it seem more casual so I felt as if I had to write less and in a more juvenile fashion.  On the other hand, it was more liberating and I felt more creative writing with crayon. Therefore, in my opinion, writing with crayon has both its benefits and downfalls.

If a society were to write only in crayon, it would differ greatly from our own.  Creativity would be more strongly valued and the line between artistic intelligence and academic intelligence would be blurred.  Meaning, if one had exceptional artistic talent, they would have an easier time portraying their academic ideas and having such ideas accepted by the society as a whole.  The overall academic intelligence of the society may suffer as the importance of visual presentation outweighs the importance of the content.

After experiencing the assignment, it became clear to me the affect the writing implement had on the writing.  It allows the writer to think and create in a whole new way. Many classmates complained about how physically tolling it was to write in crayon and that is the reason they wrote less.  I would be curious to see how they would respond to watercolor paint, colored pencil, or some other body that would be easier to write with.  It would then be easier to determine the extent of the affect writing implements have on the creative process behind a work.